When you watch Jeremy’s films you get the sense the people in them are happy to have him there. He’s not hiding behind a camera, he just happens to be holding one. It could be his background making skate films, where a trick is only as good as someone’s ability to capture it righteously. That type of shooting forges a connection between performer and director that goes beyond execution–it’s witnessing falls and failure, while staying ready for rises and redemption. Jeremy’s shot all kinds of characters since he was a kid, and has a remarkable eye for who and what makes a riveting story. It’s in the subjects, sure, but the details around them, the moments in between, and the motion that holds it all together.
